關於J.A. Michell
20 世紀 60 年代中期,約翰·米切爾 (John Michell) 創建了米切爾工程公司。在長達十年的時間裏,該公司一直專注於為其他唱機公司制造零部件,但在此期間,約翰一直專注於開發轉盤史上最大的一項技術。20 世紀 80 年代,為了將唱盤的敏感部位與振動和機械噪音源隔離,約翰設計了一種懸掛式唱盤,該唱盤採用了浮動擺錘式底盤和巧妙的油泵式倒置主軸承,使黑膠重放技術遠遠超越了同類產品。
2003 年底,約翰不幸辭世,但在他的家族的穩健管理下,米切爾的未來仍在繼續。
如今,米切爾 設計並製造了一系列唱盤、唱臂和唱頭,為音樂愛好者提供了以非常實惠的價格體驗高端模擬音頻的機會。
50年來,米切爾一直走在唱機技術和設計的前沿。米切爾的唱盤是精密的儀器,旨在盡可能接近母帶錄音重現您的音樂。
J.A. Michell 的設計理念
J.A. Michell認為,轉盤的任務很簡單,轉盤的設計卻不簡單!
在音頻頻率下,唱臂應保持鎖定在凹槽上方,相對於唱芯沒有任何多餘的運動。凹槽應以恒定的角速度在唱針下方拖動。這意味著,在從10赫茲到20千赫茲 甚至更高的整個頻段內,由唱片、盤片、軸承、(副)底盤、臂板、音盤和盒體組成的整個環路應表現為完全剛性和無共振的方式。任何與凹槽中的微小起伏相同尺寸的彎曲都會降低音質的保真度。在比音頻更低的頻率下,唱臂應能自由地跟隨凹槽的翹曲和偏心,以免損壞 LP 或唱頭,而且不會在唱頭的發生器中產生任何雜散信號。只有滿足了這些要求,觸針才能追蹤唱片凹槽中蘊含的實際資訊。
J.A. Michell History
In the mid-1960s, John Michell founded Michell Engineering. For ten years, the company's main concentration was on producing parts for other record player manufacturers, but John was always working on creating the single greatest invention in turntable history. John created a suspended turntable in the 1980s that significantly improved vinyl playback by isolating the delicate components from sources of vibration and mechanical noise. It featured a floating pendulum sub-chassis and an inventive oil-pumping inverted main bearing.
Sadly, John passed away in late 2003, but not before making sure that Michell would be well-managed by his family going forward.
Presently, Michell creates and produces a line of turntables, tonearms, and cartridges that provide music enthusiasts with the chance to enjoy premium analog audio at a remarkably low cost.
For 50 years, Michell has been at the forefront of turntable technology and design. Michell turntables are precision instruments designed to reproduce your music as close to the master recording as possible.
MICHELL DESIGN PHILOSOPHY
Michell believe that the task of a turntable is simple. The design of a turntable is not!
The arm shall remain fixed above the groove and not move inadvertently in relation to the cartridge when operating at audio frequencies. Additionally, the groove beneath the stylus needs to be moved at a steady angular speed. This implies that the entire loop consisting of the record, platter, bearing, (sub)chassis, arm plate, tonearm, and cartridge body should exhibit completely stiff and non-resonant behavior over the entire frequency range of 10 Hz to 20 kHz and beyond. The integrity of the sound is diminished by any flexing that has the same proportions as the tiny ripples in the groove. In order to avoid damaging the LP or cartridge, the arm should be able to freely follow the warps and excentricities of the groove at lower frequencies than audio, without causing any spurious signals to enter the cartridge's generator. The stylus can only trace the real data stored in the grooves of the record after these requirements are met.
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